The Arabic Series arose based on the thought developed in Grafite. Instead of composing three sculptures in the architectural space, the artist aligns the pieces within the architecture and rotates them 23 and one-half degrees, thus orienting them along the plane of the ecliptic. In this new position, the sculptures do not fit in the space: some of them become twisted, by their own weight, adapting to the new positioning, while others penetrate the walls or take on a new formal structure.